Curtis Harvey - The Wheel

I've mentioned a few times before the string of great guys named Curtis that the crew and I were lucky to meet back in 2009 when we went off to New York to work a few months.
There was Curtis the security guard at The Met who was retired Air Force and a helluva nice guy and then there were 2 Curtis's at The Dia: Beacon.
(Curtisi ?  Not sure what the proper plural form might be.)

We met Curtis Harvey up at The Dia and aside from being a really nice guy to work with he's a talented musician.  He has a new album out on ITunes and Amazon.
Look him up and support one of the good dudes out there if you can.

http://www.fat-cat.co.uk/press/artist/curtis-harvey


CURTIS HARVEY  -  BIOGRAPHY

Curtis Harvey’s recorded output tracks him through seminal bands Rex and Pullman through the 90's and early aughts. Following Pullman’s 2001 album Viewfinder, he'd go on to issue the sole release by the Curtis Harvey Trio, a brilliant cover of “Changes” for 2005 Black Sabbath cover compilation Everything Comes And Goes and a Pullman song for Thrill Jockey’s 2007 anniversary compilation. His debut solo album, Box of Stones, would follow this in 20009.

On his second solo album for FatCat the prodigious multiinstrumentalist behind Rex (Southern) and Pullman (Thrill Jockey) serves up more of his languorous acoustic folk, traditional songs and campfire sing-alongs. The record is unrushed and largely on pace with Harvey’s surroundings in upstate NY. Of recording process he notes, “With the exception of a few tunes, most songs developed over long periods of time. Sometimes I come back to things months later and it will finally be apparent that they need, or didn’t need. I think letting these tunes ferment in this way is why the record sounds the way it does. Some of the lyrics were written a year after the basic tracks, finally coming to me from out of the blue, or I would hear a line in my head and the rest of the song would just write itself around that.”

That attitude of letting the songs ferment has lead to a record stacked with openhearted odes that bristle against the cold, equally versed in the roots and traditional structures they’re built upon as
they are with more contemporary minded troubadours like Will Oldham, Sam Beam, Gillian Welch and Jason Molina. Recorded primarily in his own home studio as well as “The Chateau,” the home studio of Mice Parade’s Adam Pierce, who contributed drums to the album, The Wheel also features a new collaboration with Doug Scharin of Rex along with a rotating cast of players that carved the album into its final form.

“Things came together slowly,” says Harvey, “but then no one was really in a hurry. We would have these very productive weekends at The Chateau, Adam tracking drums in the studio, Rob playing the Baby Grand down in the house, Adele singing some sweet harmonies, Harry on the upright.” In the end there was no need to rush, it all came out exactly as anyone could have ever hoped. Come inside, warm your bones. Sure as the tide, tomorrow will roll in. I got my story straight, so take in the wondrous things while you’re out there, halfway blue or over the rainbow, it’s kinda up to you.

Up on the wheel…

Curtis's previous album is worth a listen as well!