Lyle Lovett on NPR

This sounds great!

Lyle Lovett and fiddle player Luke Bulla played a "Tiny Desk Concert" at the NPR offices, which is exactly what it sounds like:  a great singer/songwriter playing for free in a cramped newsroom/makeshift studio.

http://www.lylelovett.com/

I've been a big fan of Lyle's ever since he released Joshua Judges Ruth way back in '91 or so.
He showed up on Leno (or was it still Carson then?) to play a couple numbers and I was hooked.
I've seen him many times in concert with his "Large Band" and they are always fantastic.
A night at Chastain Park with Lyle Lovett and His Large Band, a couple of beers, and some Publix take away is a pretty good time!

http://www.npr.org/event/music/166752674/lyle-lovett-tiny-desk-concert?autoplay=true

Watch the video long enough to see and hear the fiddle solo on the third song.

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Lyrics from That's Right, You're Not From Texas

You say you're not from Texas
Man as if I couldn't tell
You think you pull your boots on right
And wear your hat so well

So pardon me my laughter
'Cause I sure do understand
Even Moses got excited
When he saw the promised land

That's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

That's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

See I was born and raised in Texas                    
And it means so much to me
Though my girl comes from down in Georgia
We were up in Tennessee

And as we were driving down the highway
She asked me baby what's so great
How come you're always going on
About your Lone Star State

I said that's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

That's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

Oh the road it looked so lovely
As she stood there on the side
And she grew smaller in my mirror
As I watched her wave goodbye

Those boys from Carolina
They sure enough could sing
But when they came on down to Texas
We all showed them how to swing

Now David's on the radio
And old Champ's still on the guitar
And Uncle Walt he's home with Heidi
Hiding in her loving arms

That's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

That's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

They're OK in Oklahoma
Up in Arkansas they're fair
But those old folks in Missouri
They don't even know you're there

But at a dance hall down in Texas
That's the finest place to be
The women they all look beautiful
And their men will buy your beer for free

And they'll say that's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

That's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

So won't you let me help you Mister
Just pull your hat down the way I do
And buy your pants just a little longer
And next time somebody laughs at you

You just tell 'em you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

That's right you're not from Texas
That's right you're not from Texas
That's right you're not from Texas
But Texas wants you anyway

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by STEPHEN THOMPSON


For all of Lyle Lovett's considerable artistic gifts — a distinctive voice, easygoing charisma, rare talent for wordplay — his greatest attribute may be the way he radiates infectious calm. He's a one-time tabloid fixture who writes wry, bittersweet songs of longing, but Lovett in person is like a vortex into which stress and drama disappear. That's especially true now that he's fulfilled his obligations to his longtime record label: Lovett not only showed up at NPR Music's offices without an entourage, but also booked his Tiny Desk Concert himself, emailing us out of the blue to express his interest. (Our reply: "We would only agree to have you perform a Tiny Desk Concert if it's under any conceivable circumstance.")

So it's appropriate that Lovett would open this performance at the NPR Music offices by performing "Cowboy Man," the first track on his 1986 debut: He may be a music-industry veteran, but in many ways, he's starting over. With a fresh-faced accompanist in fiddler and backup singer Luke Bulla, Lovett gives a loose, engaging performance that feels like both an introduction and a victory lap.

He follows "Cowboy Man" with two songs from 1989's Lyle Lovett and His Large Band, so this is no mere promotional appearance. With nothing in particular to promote — though he did put out an album of covers, Release Me, earlier in the year — Lovett seems motivated primarily by the sheer joy of playing his songs. His pleasure is infectious.
Set List
"Cowboy Man"
"If You Were To Wake Up"
"Good Intentions"
Credits

Producer: Stephen Thompson; Editor: Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Christopher Parks, Stephen Thompson; photo by Ryan Smith/NPR